Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Theodore Rousseau
View on the Outskirts of Granville

ID: 41081

Theodore Rousseau View on the Outskirts of Granville
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Theodore Rousseau View on the Outskirts of Granville


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Theodore Rousseau

1812-1867 French Theodore Rousseau Galleries Rousseau's pictures are always grave in character, with an air of exquisite melancholy which is powerfully attractive to the lover of landscapes. They are well finished when they profess to be completed pictures, but Rousseau spent so long a time in working up his subjects that his absolutely completed works are comparatively few. He left many canvases with parts of the picture realized in. detail and with the remainder somewhat vague; and also a good number of sketches and water-color drawings. His pen work in monochrome on paper is rare; it is particularly searching in quality. There are a number of fine pictures by him in the Louvre, and the Wallace collection. contains one of his most important Barbizon pictures. There is also an example in the Ionides collection at the Victoria and Albert Museum.  Related Paintings of Theodore Rousseau :. | The Avenue of Chetnut Trees | Panoramic Landscape | View on the Outskirts of Granville | The Chestnut Avenue | Oak Trees near Apremont |
Related Artists:
Benoit Hermogaste Molin
painted Painting of Maria Adelaide, wife of Victor Emmanuel II, King of Italy in 1848
Albert Joseph Moore,ARWS
181-1893 He showed precocious artistic talent as a child and entered the Royal Academy Schools in London in 1858. His early work shows a Pre-Raphaelite influence common to his generation. The watercolour Study of an Ash Trunk (1857; Oxford, Ashmolean) is very Ruskinian in its precise handling of naturalistic detail. Moore made two visits abroad: in 1859 to France with the architect William Eden Nesfield and in the winter of 1862-3 to Rome with his brother John Collingham Moore. Elijah's Sacrifice (1863; exh. RA 1865; Bury St Edmunds, A.G.), one of Moore's earliest large-scale oil paintings, was executed while he was in Rome. Its biblical subject and sombre tone are typical of his output in the early 1860s and relate to the work of Ford Madox Brown and Edward Armitage.
Master Of The Parrot
painted Mary Magdalen in between 1525(1525) and 1550(1550)






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